EARLY REGULAR DRAMAS (TRAGEDIES, COMEDIES AND HISTORY PLAYS):
EARLY REGULAR DRAMAS (THAGEDIES, COMEDIES AND HISTORY
PLAYS):
The Renaissance brings a
sweeping advancement of the drama to raise it from the medieval mystery and
morality plays to regular drama namely tragedies,
comedies and history plays. This sudden spectacular development is seen to
come in between 1530 to 1580. The study of Plautus
and Terence gives English comedy
a clear sense of pattern as well as characterization. Seneca was the favourite Latin author and all his tragedies were
translated into English between 1559 and 1581. Under the strong influence of
Seneca English regular tragedies started to be written. Along with the
classical plays was the native breed of historical plays.
Early Tragedies:
Gorbouduc:
* It is the
first English tragedy written on the model of the Senecan tragedy. Afterwards it is called as ‘Ferrex and Porrex.’
It is at first acted in Jan.18, 1561 at Inner Temple.
* It treats
a national episode taken from Geoffrey
of Monmouth’s ‘Chronicle’.
* “Gorboduc, king of Britain, divided his realms in his
lifetime to his sons Ferrex and Porrex. The sons fell to dissension.
The younger killed the elder. The mother that more dearly loved the elder, for
revenge killed the younger. The people moved with the cruelty of the fact, rose
in rebellion, and slew both father and mother. The nobility assembled, and most
terribly destroyed the rebels; and afterwards for want of issue of the Prince,
where by the succession of the crown became uncertain, they fell to civil war,
in which both they and many of their issues were slain, and the land for a long
time almost desolate and miserably wasted.”
* The action
of the drama follows the Senecan
tradition. It takes place behind the scenes and what is more important is
the ending of each act. Like Senecan tragedy each act ends with a chorus. There
is in the drama long and heavy speeches, melo-dramatic effect, - bloodshed
(“Blood asketh blood and death must death requite) revenge, Nemesis and an
inexorable fate exacting them.
* Inside of
these it departs from the classical model in the use of dumb show and is
written in blank verse.
* The play
is remarkable for being the first English regular tragedy. The play has some
lacking – The characters are not lively. They had a didactic note. Each act opens with a pantomime in which
the lesson it conveys is illustrated.
Other plays of a similar
character are
- Appius and Virginia, Jocasta,
Cambyses, King of Percia, Historie of Horestes.
Early Comedies:
Though the early English comedies are
written under the influence of Latin comic authors like Plautus and Terence, the
comedies are to a great extent the growth of the English mumming clement. “They
were composed usually in mixed verse and prose, the humour was of a primitive
character, but the best of them had verve and high good-humour, and they were
distinguished by some worthy songs and ditties.
Ralph Roister Doister:
* It is the
first regular English comedy written by Nicholas
Udall in 1550 or earlier. (Udall was successively the Headmaster of Eton
and Westminster)
* The play
was acted by the school boys of
sometime before 1556.
* The play
is based on ‘Miles Glorisus’ classic comedy by Plautus.
* The story
of the play as follows- Ralph, the hero of the play, is a swaggering, simpleton,
though he is wealthy. He is fooled to the top of his bent by the mischievous
Matthew Merygreek who is modeled upon the parasites of the classical stage. He
falls in love with Dame Custance, a widow betrothed to Gawin Goodluck, a
merchant, who is away on a voyage. During Goodluck’s absence Ralph, through the
agency of Merygreek, besieges the widow with letters, vows and visits. Dame
Custance, though she hated Ralph and his protestations, treats him with
humorous raillery. Goodluck was informed of the love-affairs between Custance
and Ralph and he comes back home filled with jealous suspicion. But Ralph’s own
foolish speeches dispel the clouds of his suspicion, and the play ends with the
hero’s exposure and discomfiture.
* It is a
play of five Acts. The play is a
farce in nature. Udall’s characters, specially the English characters are more
or less artificial; but as furnishing a model of a clear plot and natural
dialogue its influence can hardly be over estimated.
Gammer Gurton’s Needle:
* It is the
second English comedy, written about 1560.
* It was long been attributed
to John Still, afterwards Bishop of Bath; but the authorship is definitely
assigned to William Stevenson.
* It is a
domestic comedy, a true bit of English realism, representing the life of the
peasant class.
* The story
of the play as follows- “Gammer Gurton loses her needle – at that time an
article of value; Diccon the Bedlam accuses Dame Chat, the Ale-wife of stealing
it. This upsets the whole village; the parsons, the bailey, the constable,
Doctor Rat- are all called in to assist in the emergency. The tumult and
confusion increases, eventually the needle is found sticking in the breeches of
Hodge, the Gammer’s farm servant.
* The humour
is heavy-handed and coarse, but the characterization is vivid and skilful.
Hodge has become a generic title for the farm labourer. Diccon represents a
type common enough both before and after Shakespeare, but which has disappeared
with the altered social conditions of modern days. Like “Poor Tom” (King Lear),
Diccon is a half-witted wanderer, incapable of useful work and responsible for
a good deal of mischief.
Historical Plays:
A healthier breed of
historical plays arises along with the classical plays. These plays are
basically the dramatized form of the
early chronicles and combined both tragic and comic elements. This union of
tragedy and comedy was alien to the classical drama and was the chief glory of
the Elizabethan stage.
The first attempt in writing historical
play was made by one John bale in
the play ‘King John’ which is in essence a morality play in which
allegorical characters are mingled with real figures during the reign of king John.
* Other
historical plays are- ‘The famous Victories of Henry-V, ‘The
Troublesome reigne of King John, The chronicle History of King Leir.’
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